Daniele Fabbri is among the protagonists of the festival of censored arts, for freedom of expression and against anti-blasphemy laws. Art exhibitions, group shows, live performances, talks, screenings, stand-up comedies, on the theme of censorship for religious reasons and blasphemy.

Daniele Fabbri is a comedian, screenwriter and cartoonist. He trained at the G. Basile “Comic and Cabaret Theater” Professional Laboratory and graduated from the Jacques Lecoq International Theater School. His first monologue is from 2005, he performs at Club Studio Uno in Rome.

In 2009 he was one of the founders of the Satiriasi collective, a group he left in 2013.

The collaboration with the online magazine DownloadBile marks a turning point in his career: together with Stefano Antonucci he gives life to a series of wonderful comics: Gesù Crucifiction Tour (in 2012), Gesù Cruci Fiction Tour-Volume 2 and Gesù Cruci Fiction Tour- Volume 3; V for Vangelo (2015), Jesus: the trilogy (2015, edited by G. Caputo), Adolf Hitler. Il piccolo Führer (2017, with the collaboration of Mario Perrotta on the drawings. For Feltrinelli they publish The shy antichrist (2018) and The animal farm (2020) with the collaboration of Maurizio Boscarol on the drawings. Fabbri and Antonucci also publish the magazine at comics When Lvi was there.

For Ceci n’est pas un blaspheme Daniele Fabbri is the artistic director of a review of theatrical satire and stand-up comedy, the latter in collaboration with TheComedyClub.

Anti-blasphemy laws in Italy and around the world are used to suppress political opponents and dissidents, to censor artists, journalists and free thinking.

The application of a law that should protect an unidentified “religious sentiment” is highly subjective, completely arbitrary. There are countries where even a woman’s song can be considered blasphemous. A reality that moves large sums of money and votes but which cannot be satirized or criticized, becomes untouchable: an unnameable god becomes truly omnipotent even on the political and social level. This is why Ceci n’est pas un blasphème , the festival of censored arts, was born .
The festival enjoys the moral patronage of the Department of Culture of Naples, but to maintain independence and thus guarantee the quality of the curatorship we do not have access to public funds: we are professionals but we work on it as a team of volunteers, we believe in it a lot, if you share the message give us a hand to make it happen: together we can do something great, for art, for poetry, for freedom of expression, against any form of religious abuse!

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